The personal disquiet of

Mark Boulton

February 29th, 2008

From Poly to Pole

Every six months or so, my brother-in-law, Bruce Gor­don, updates his web­site (which I designed a while ago) with his latest work. I’m gen­er­ally not one to pimp sites, espe­cially fam­ily, but Bruce’s work con­tin­ues to amaze me. He’s a Head Sculptor for the film industry in the UK and his web­site is glimpse into the world we rarely see–set design and construction. 

Fred Claus

His latest pro­ject (other than Wolf Man that he’s cur­rently work­ing on), is Fred Claus. He was the HOD (Head of Design) Sculptor for the pro­ject, which I think means he ran the crew whose respons­ib­il­ity was real­ising the art depart­ment maquettes. Now that just blows me away. Scal­ing up a clay model, that may only be a few inches across, into a life-size con­struc­tion. Of course, the art depart­ment is con­cerned with the vis­ion of the pro­duc­tion, not if the thing can actu­ally be built. That’s up to Bruce and his team to fig­ure out. 

Santa's house in Poly

Poly Building showing construction

The finished North Pole set

These images from Fred Claus show the scale of con­struc­tion and atten­tion to detail. From intric­ate wood sculpt­ing, to ensur­ing layered snow on roof tops looks like it actu­ally might drop off any minute. All of this work, and it’s an incred­ible amount, can only be on-screen for a few minutes. I guess that’s the price for try­ing to accur­ately por­tray another reality. 

If you have a mo, browse around his site. There’s some stun­ning work on there from pro­duc­tion such as Charlie and Chocol­ate Fact­ory, Bat­man Begins, and Harry Pot­ter and the Philosopher’s Stone

9 Responses to “From Poly to Pole”

  1. Tjobbe Andrews said on: February 29th, 2008 at 5:44 am

    Massive kudos to sculp­ture and set design­ers, love their work and atten­tion to detail and it is one film watch­ers take for granted. 

    Love the work on your broth­ers site Mark, but as a side note the chick-flick “The Hol­i­day” with Cameron Diaz in it had a house made from fibre glass, “Rose Cottage”. 

    I had abso­lutely no idea — it looked incred­ibly real. Just goes to show how skilled these people are!

  2. Graham Sanders said on: February 29th, 2008 at 6:11 am

    Why the use of all caps in the head­ings Mark or should that be MARK?

    (tuts loudly, wag­ging dis­ap­prov­ing typo­graphic finger)

  3. Fahed said on: February 29th, 2008 at 8:00 am

    Very impress­ive indeed.

  4. siftee said on: February 29th, 2008 at 8:16 am

    he wasn’t at all pissed with the sim­il­ar­it­ies of the site designs? i guess this was pro-bono ;)

  5. Tobi said on: March 1st, 2008 at 5:31 am

    that is the film industry in the uk? damned i thought thats are pic­tures from hol­ly­wood. its really impress­ive. nice shoots!

  6. Naomi said on: March 1st, 2008 at 6:43 am

    His work is gor­geous! I love the site too. It’s nice and clean like this one is.

  7. Stevie K said on: March 3rd, 2008 at 6:45 am

    Wow, always great to see set design, I always have a secret fond­ness for it, an under­rated art that never really gets touched upon by film crit­ics unless it’s a Tim Bur­ton film. Never thought you’d be the second most tal­en­ted per­son in your fam­ily Mark!

  8. Vintage said on: March 4th, 2008 at 12:45 pm

    Just from the pho­toes I want to visit this place!

  9. zeb said on: March 15th, 2008 at 10:44 pm

    The Da Vinci code sculp­ture is amaz­ing. hats off !

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