The personal disquiet of

Mark Boulton

July 26th, 2005

Typography — a dying art form?

I received an email from today from this guy called Larry. He asked me if I thought typo­graphy is a dying art form. I’m sure he won’t mind, but I thought it would be quite nice to get the opin­ions of other people as well to form a more gen­eral consensus.

So, I’ll kick it off.

I don’t think typo­graphy is a dying art form, I think it’s an evolving art form. In fact I’m not sure typo­graphy is an art form at all. It can be I guess, but in it’s purest sense it’s just part of the solu­tion, part of graphic design.

As a mem­ber of the ISTD I still see a lot of enthu­si­asm and pas­sion for typo­graphy. In some sec­tors of the industry, good typo­graphy is on the incline rather than the decline. One of these sec­tors is web design. If you com­pare where we were just a few years ago and where we are now, gen­er­ally things have improved. That’s not to say there’s bad typo­graphy — there always will be — you have to have the ying with the yang right?

Any­way, in a nut­shell. No I don’t think it’s dying, it’s just chan­ging and as we all know, some people don’t like change. Some import­ant things are being lost with the evol­u­tion, but that’s just part of evolving — get­ting rid of dead wood. I don’t think it’s an art­form gen­er­ally, although it can be in some circumstances.

What are your thoughts?

25 Responses to “Typography — a dying art form?”

  1. Andy Hume said on: July 26th, 2005 at 10:18 am

    No, I don’t think typo­graphy is dying. And this is a web developer talking! 

    Typo­graphy on the web has had a tough time. No other ele­ment of design suffered in the ‘cross-over’ to the web as much as typo­graphy did. Let’s face it — up until CSS became a viable tech­no­logy we couldn’t do any­thing more than choose a typeface and font size. No won­der typo­graphy has become less of a focus for design­ers that have moved to the web. 

    It is mak­ing a comeback how­ever — there is more interest in it since CSS became com­pletely main­stream, and CSS 3 should build on this even more.

  2. Phil Thompson said on: July 26th, 2005 at 10:59 am

    Driv­ing around my home town I’m see­ing lots of shop signs and ban­ners writ­ten in core Microsoft office fonts like Tahoma or Treb­uchet MS.

    So to that extent, there is less of an under­stand­ing of typo­graphy as people are clearly doing a lot of this work for themselves.

  3. Prabhath said on: July 26th, 2005 at 12:04 pm

    Typo­graphy will never die. Bad typo­graphy stands out almost as well as good typo­graphy, for very dif­fer­ent reas­ons. It’s one art whose absence itself is a con­stant reminder of its import­ance.

    So to that extent, there is less of an under­stand­ing of typo­graphy as people are clearly doing a lot of this work for them­selves.

    The other day, I saw some text on TV in Comic Sans. Over here in Sri Lanka, the only thing harder to find than good design­ers are design schools.

  4. Brad Chmielewski said on: July 26th, 2005 at 1:21 pm

    Agree I think alot of people are try­ing to make sure their typo­graphy is look­ing better.

    If you go to just about any design related blog there is a good chance you will find a type topic with tons of links pos­ted to / about great typo­graphy art. 

    The art can never die as long as we read.

  5. Gerard McGarry said on: July 26th, 2005 at 1:32 pm

    I was never aware of Typo­graphy as an art form until I got into standards-based design. I do agree, and have to note that poor qual­ity sig­nage is pos­sibly the res­ult of the post-DTP gen­er­a­tion. “Why pay a designer when you can knock up sig­nage in Microsoft Word?????”

  6. Rob Weychert said on: July 26th, 2005 at 1:37 pm

    I would expect that any notion of the “death of typo­graphy” dis­cussed within the web design com­munity would be react­ing dir­ectly to the typo­graphic lull of the early years of the web, brought about by tech­no­lo­gical lim­it­a­tions, the developer-cum-designer explo­sion, and the grow­ing num­ber of design­ers who came of cre­at­ive age in the digital realm. As Mark poin­ted out, we’re cur­rently in a much bet­ter place than we were even a few years ago, which, in my opin­ion, is strong evid­ence for typography’s con­tin­ued vital­ity as an art form and indis­pens­ible com­mu­nic­at­ive entity.

  7. Dan Mall said on: July 26th, 2005 at 2:58 pm

    I agree with the flow of dis­cus­sion. I think typo­graphy is still on the rebound from the ini­tial shock advent of the per­sonal com­puter, but it’s cer­tainly not on its way out. There is def­in­itely some­thing to be said that Mayor Bloomberg would declare an offi­cial “Type Week” in Man­hat­tan.

  8. Raanan said on: July 26th, 2005 at 6:48 pm

    Typo­graphy is not a dying art form. Why should it die? Did we stop using let­ters? Sen­tences? Paragraphs? 

    We shouldn’t for­get that not everything in this world is made of HTML file. 

    Another thing we shouldn’t for­get is that if we use text (not images) in an HTML page, the user can change the typo­graphy we use. 

    On the web what I miss the most is not typo­graphy as an art form, but typo­graphy as a crafts­man­ship. I don’t need every page to be an art object, I don’t think it can be done, I don’t think it should be done. What I’m look­ing for is design that uses typo­graphy to help the user to gain bet­ter, more pleas­ant, access to the content.

  9. Jolo said on: July 27th, 2005 at 5:11 am

    Typo­graphy will always be there, I don’t think too that it is dying, It has been part of our lives and it will always be. It also acts as a con­trib­ut­ing factor for the lifeblood of design, Albeit now in turn we are driv­ing it digit­ally but we must also recog­nize that it all came from the prim­it­ive metal let­ter­press type­set­ting sig­ni­fy­ing that it is really an art form with his­tor­ical sense. 

    As robert bring­hurst said, typo­graphy has a visual sense and his­tor­ical sense, we have the visual sense now clearly, but the his­tor­ical sense part of it is not evid­ent as the visual sense.

  10. Graham Sanders said on: July 27th, 2005 at 1:44 pm

    Typo­graphy in its purest form IS dying due to poor edu­catonal meth­ods employed within our schools and universities. 

    How many design­ers do you know who haven’t a clue the dif­fer­ence between an em dash and a en dash?

  11. Mark Boulton said on: July 27th, 2005 at 1:54 pm

    I think what you’re refer­ring to there Gra­ham is ter­min­o­logy and, yes, I’d have to agree with you to some extent. 

    How­ever, typo­graphy in it’s purest form isn’t dying. What is dying is the industry in which pure typo­graph­ers would prac­tice — for example crafts­man print­ers etc.

    Typography’s merely chan­ging to reflect an industry which doesn’t really care about em dashes and the time it takes to craft subtle typography. 

    Any­way, good dis­cus­sion — keep it coming.

  12. Matthew said on: July 27th, 2005 at 2:10 pm

    I hon­estly think signs com­pan­ies can’t be com­pletely blamed for bad sig­nage. Most sign/print shops just do what their told and what makes them money. If a small mom & pop store just get­ting star­ted needs a ban­ner at a reas­on­able price and the only way to meet that cost is by redu­cing time spent on it, then why not serve the cus­tomer? Sure sure it makes for bad “stand­ards” but in all truth­ful­ness, not every busi­ness NEEDS or can afford high qual­ity design/typography to be successful.

    But if you have the budget it always helps ;)

  13. Gerard McGarry said on: July 27th, 2005 at 4:25 pm

    Mat­thew: How much does it cost to spend a little longer choos­ing a more attract­ive typeface?

  14. Matthew said on: July 27th, 2005 at 6:10 pm

    Add up the cost per year to hire a real designer, not just someone who can work sign­mak­ing soft­ware, labor+materials+time really adds up and kills any profit you might make on a fairly simple small ban­ner that doesn’t require good typography…All I’m say­ing is some­times pro­duc­tion beats per­fec­tion in the print/sign industry.

  15. Michael Spence said on: July 28th, 2005 at 7:17 pm

    Typo­graphy and stone­ma­sonry have this in com­mon (among many other things): they help us func­tion bet­ter when done well, they have each developed an art and sci­ence, and if that art and that sci­ence fail to be con­tinu­ally taught and developed we will be greatly impoverished.

    I don’t see many build­ings rising up in Amer­ica to rival the great cathed­rals of Europe these days. And I hope the Web has not and does not become merely the equi­val­ent of steel and glass.

  16. Mark Boulton said on: July 28th, 2005 at 8:45 pm

    Mat­thew — I think I agree with you to some extent. Any­one who worked in a high pres­sure design stu­dio has to admit that some­times qual­ity slips when budget and times­cales don’t allow for it. Now who’s fault is it? Well, the design stu­dio for not quot­ing enough in the first place!

  17. Nathan Smith said on: July 28th, 2005 at 10:11 pm

    As a web designer, and hav­ing to work within the lim­ited amount of default sys­tem fonts, I am intrigued by typo­graphy.  This is not to say I know much about it, quite the con­trary.  It is because its usage is still some­what scarce on the web that I find it so fas­cin­at­ing.  I think that people who got their design start in print­ing are really cool, sorta like ven­er­ated sages who can lead the way into the future.  It’s like you said, typo­graphy is not dead, it’s just get­ting started!

  18. Gerard McGarry said on: July 28th, 2005 at 11:23 pm

    What are people’s thoughts on sIFR for typo­graphy on the web?

  19. Nathan Smith said on: July 29th, 2005 at 8:53 pm

    I think sIFR is pretty cool, when used spar­ingly.  For a really cool sIFR selec­tion, go here… 

    [url=http://www.fontsmack.com]http://www.fontsmack.com[/url]

  20. Gerard McGarry said on: July 29th, 2005 at 9:01 pm

    Nathan, that is deadly cool! URL is safely tucked into del.icio.us and ready for an idle half hour’s experimentation.

    Thanks for the heads up!

  21. r.saavedra said on: July 31st, 2005 at 4:30 pm

    As a stu­dent at Guru Digital Arts, here in Edmon­ton, Canada we have been taught a great deal as to Typo­graphy and how it can effect­ively add so much and remain invis­ible to the gen­eral public. 

    I went to a few lec­tures at the U of A when Gerry Leoni­das was speak­ing on the future of type, be it print or web based. It was well worth my time and are les­sons I will not forget. 

    Type will con­tinue to evolve, as many of you say. I think we are in a great trans­itional period when more and more up and com­ing design­ers are learn­ing that it is excep­tion­ally import­ant, no mat­ter what the job is.

  22. Raanan said on: July 31st, 2005 at 4:50 pm

    I love the ana­logy of typo­graphy and masonry!

    The grandeur of build­ings of old are maybe gone, but I think the usab­il­ity of new build­ing is much better.

  23. Aaron said on: August 2nd, 2005 at 10:38 am

    I believe that typo­graphy in gen­eral seems to be a slowly pro­gress­ing form of design because of it’s use in today’s main­stream media. One example is some design magazines, they would often use sans-serif typefaces that would be hard to read at 9 to 10pts. The use of type shouldnt be lim­ited to that of digital, we should always remem­ber that type star­ted out with the writ­ten char­ac­ter. Alot of design­ers have for­got­ten paper in their design. On the web, alot of design­ers have been using small type. With the emer­gence of CSS2; the abil­ity to con­trol more import­ant aspects of type, we should not have an excuse not to have bet­ter use of the typefaces we choose as a default in any website. 

    I guess what Im try­ing to say is that, typo­graphy in design is in slow pro­gres­sion because of the lack of inform­a­tion about it. Find­ing foundries, and other design­ers who have been using typo­graphy ser­i­ously in design are really hard to find. 

    For nor­mal users, alot of people like fancy things. Some­times even if it isnt legible. All they know that is if it looks good for them, it is ok. That’s where I see typo­graphy lost.

  24. Jobe said on: August 4th, 2005 at 3:17 pm

    I guess typo­graphy these days is more or less being con­fused with the (ab)use of fonts…It seems every­body can do it, and there­fore as an art­form it changes. 

    But even­tu­ally, as in evol­u­tion, this will bring new perspective…and it will live on!

  25. IBM said on: August 5th, 2005 at 7:09 am

    Yes Typo­graphy is an Art Form. 

    It’s not just fonts — that’s not what typo­graphy is. 

    Typo­graphy believe it or not takes a great deal of know­ledge and yes — skill. 

    You need to know more than just what the dif­fer­ent parts of a font are, but also how a cer­tain font draws out emo­tion from people.  You need to under­stand stand­ard fonts used in stand­ard industry. Ie.  You would use a heav­ier font for indus­trial work etc…

    Typo­graphy is bey­ond the scope of web design.  We can­not yet do the same qual­ity of work in web design as we can in pro­grams like quark.  Not in keep­ing with web stand­ards anyway.

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