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	<title>Comments on: Web designer&#8217;s guide to print design</title>
	<atom:link href="http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design/feed" rel="self" type="application/rss+xml" />
	<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=web-designers-guide-to-print-design</link>
	<description>The Personal Disquiet of Mark Boulton</description>
	<lastBuildDate>Thu, 09 Feb 2012 18:39:01 +0000</lastBuildDate>
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		<title>By: The Ultimate Round-Up of Print Design Tutorials - Smashing Magazine - Smashing Magazine</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-5327</link>
		<dc:creator>The Ultimate Round-Up of Print Design Tutorials - Smashing Magazine - Smashing Magazine</dc:creator>
		<pubDate>Wed, 11 Jan 2012 08:51:43 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-5327</guid>
		<description>[...] The Web Designers Guide to Print Design The basics of print design, from choosing the right software to different kinds of printing. [...]</description>
		<content:encoded><![CDATA[<p>[...] The Web Designers Guide to Print Design The basics of print design, from choosing the right software to different kinds of printing. [...]</p>
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	<item>
		<title>By: Professionele bladen ontwikkelen? - ePublicator</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-3859</link>
		<dc:creator>Professionele bladen ontwikkelen? - ePublicator</dc:creator>
		<pubDate>Sat, 03 Oct 2009 10:43:54 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-3859</guid>
		<description>[...] Delightful Brochure Designs  Web designer’s guide to print design 15 Best Magazine Covers since 1960  Tags: Handige links, [...]</description>
		<content:encoded><![CDATA[<p>[...] Delightful Brochure Designs  Web designer’s guide to print design 15 Best Magazine Covers since 1960  Tags: Handige links, [...]</p>
]]></content:encoded>
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	<item>
		<title>By: The Ultimate Round-Up of Print Design Tutorials - Programming Blog</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-3857</link>
		<dc:creator>The Ultimate Round-Up of Print Design Tutorials - Programming Blog</dc:creator>
		<pubDate>Fri, 02 Oct 2009 12:29:39 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-3857</guid>
		<description>[...] The Web Designers Guide to Print DesignThe basics of print design, from choosing the right software to different kinds of printing. [...]</description>
		<content:encoded><![CDATA[<p>[...] The Web Designers Guide to Print DesignThe basics of print design, from choosing the right software to different kinds of printing. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: The Ultimate Round-Up of Print Design Tutorials &#171; Tech7.Net</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-3856</link>
		<dc:creator>The Ultimate Round-Up of Print Design Tutorials &#171; Tech7.Net</dc:creator>
		<pubDate>Fri, 02 Oct 2009 10:46:59 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-3856</guid>
		<description>[...] The Web Designers Guide to Print DesignThe basics of print design, from choosing the right software to different kinds of printing. [...]</description>
		<content:encoded><![CDATA[<p>[...] The Web Designers Guide to Print DesignThe basics of print design, from choosing the right software to different kinds of printing. [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: jon</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1743</link>
		<dc:creator>jon</dc:creator>
		<pubDate>Thu, 22 Jun 2006 02:20:50 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1743</guid>
		<description>&lt;p&gt;Brady great points..
&lt;/p&gt;
&lt;p&gt;
Enjoying both yours and mark articles :D
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>Brady great points..
</p>
<p>
Enjoying both yours and mark articles :D</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Marcus Mucha</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1745</link>
		<dc:creator>Marcus Mucha</dc:creator>
		<pubDate>Thu, 15 Jun 2006 04:51:15 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1745</guid>
		<description>&lt;p&gt;Mark,
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Thanks for the article.&lt;/strong&gt; I&#8217;m a web designer who occasionally himself in the deep waters of print design. One issue that is most frustrating to me is color; both in terms of color spaces (RGB, CMYK, etc.) and color matching (spot color and Pantone).
&lt;/p&gt;
&lt;p&gt;
It&#8217;s also sometimes hard to manage client education and expectation in this regard. My clients just want their logo color to look consistent between their letterhead (printed offset) and their datasheets (printed on an in-office laserjet) and I sometimes don&#8217;t know what to tell them.

&lt;/p&gt;
&lt;p&gt;
Any tips on color would be lovely.
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>Mark,
</p>
<p>
<strong>Thanks for the article.</strong> I&#8217;m a web designer who occasionally himself in the deep waters of print design. One issue that is most frustrating to me is color; both in terms of color spaces (RGB, CMYK, etc.) and color matching (spot color and Pantone).
</p>
<p>
It&#8217;s also sometimes hard to manage client education and expectation in this regard. My clients just want their logo color to look consistent between their letterhead (printed offset) and their datasheets (printed on an in-office laserjet) and I sometimes don&#8217;t know what to tell them.</p>
<p>
Any tips on color would be lovely.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mark Boulton</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1744</link>
		<dc:creator>Mark Boulton</dc:creator>
		<pubDate>Tue, 13 Jun 2006 00:12:13 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1744</guid>
		<description>&lt;p&gt;They weren&#8217;t Brady - they were great comments! And you&#8217;re following them up with a superb set of articles. Just read the first one, looking forward to the rest.
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>They weren&#8217;t Brady &#8211; they were great comments! And you&#8217;re following them up with a superb set of articles. Just read the first one, looking forward to the rest.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Brady J. Frey</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1746</link>
		<dc:creator>Brady J. Frey</dc:creator>
		<pubDate>Mon, 12 Jun 2006 15:05:11 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1746</guid>
		<description>&lt;p&gt;Sorry if those comments came off crass, it&#8217;s a touchy subject for designers I know:) To help out, I&#8217;m going to writesome articles on the subject technically in support and &lt;a href=&quot;http://www.pulltoinflate.com/2006/06/10/print-production-a-many-part-series/&quot; rel=&quot;nofollow&quot;&gt;reference to your site&lt;/a&gt; as I build my external blog if you don&#8217;t mind, and I&#8217;m starting with a many part series on &lt;a href=&quot;http://www.pulltoinflate.com/2006/06/11/print-production-color-for-print-color-for-web-1-of-3/&quot; rel=&quot;nofollow&quot;&gt;color science&lt;/a&gt;, but not just for print.

&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>Sorry if those comments came off crass, it&#8217;s a touchy subject for designers I know:) To help out, I&#8217;m going to writesome articles on the subject technically in support and <a href="http://www.pulltoinflate.com/2006/06/10/print-production-a-many-part-series/" rel="nofollow">reference to your site</a> as I build my external blog if you don&#8217;t mind, and I&#8217;m starting with a many part series on <a href="http://www.pulltoinflate.com/2006/06/11/print-production-color-for-print-color-for-web-1-of-3/" rel="nofollow">color science</a>, but not just for print.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Brady J. Frey</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1747</link>
		<dc:creator>Brady J. Frey</dc:creator>
		<pubDate>Sat, 10 Jun 2006 03:19:48 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1747</guid>
		<description>&lt;p&gt;One thing I forgot&#8212;Mimaki makes a digital printer with a white color output, that allows you to do an underlay similar to screenprinting or print white as needed on multiple papers. There are also florescent inks you can swap out to most machines, though not supported by the manufacturer and can potentially harm certain machine parts if you don&#8217;t take caution, which add extra kick to digital printing when needed. Again, though the weakness is almost always color calibration, ICC profiles from your print designs to your digital machines&#8230; but most web programmers will feel right at home with the technical information
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>One thing I forgot&#8212;Mimaki makes a digital printer with a white color output, that allows you to do an underlay similar to screenprinting or print white as needed on multiple papers. There are also florescent inks you can swap out to most machines, though not supported by the manufacturer and can potentially harm certain machine parts if you don&#8217;t take caution, which add extra kick to digital printing when needed. Again, though the weakness is almost always color calibration, ICC profiles from your print designs to your digital machines&#8230; but most web programmers will feel right at home with the technical information</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Brady J. Frey</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1750</link>
		<dc:creator>Brady J. Frey</dc:creator>
		<pubDate>Sat, 10 Jun 2006 03:12:20 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1750</guid>
		<description>&lt;p&gt;There are a lot of excellent, high end Digital Print methods that you can easily use for large runs and layouts.
&lt;/p&gt;
&lt;p&gt;
Now, anything that&#8217;s an Oce Lightjet, although not optimally suited for large runs, will have a serious impressive output compared to much of the print technology with none of the issues you&#8217;ve listed&#8212;that is a printer similar to a photography development device.

&lt;/p&gt;
&lt;p&gt;
Hi-Fi printers, which run of Cyan Magenta Yellow Black Light Cyan Light Magenta Orange Green, can produce a significant amount of color improvements over the standard issue digital machine.
&lt;/p&gt;
&lt;p&gt;
It should also be pointed out that Pigment and Dye printers typically lack the banding you describe (although to achieve outdoor quality you need to use certified outdoor material, and typically they have a short life span). Solvent printers are usually the banding disaster, but I only find those in machines similar to Scitex large formats&#8212;Roland&#8217;s Eco Solvet machines output beautifully.
&lt;/p&gt;
&lt;p&gt;
Now, for large runs using something like an Inca flatbed can be significantly cheaper than offset, considering the setup is so minimal and output is comparable to much of digital&#8212;but the color quality can and typically is just as high as much of the offset or large format screen print options out there.
&lt;/p&gt;
&lt;p&gt;
I&#8217;ve ran alot of printers before I became an creative director&#8212;I know this is a gray area for most print designers, but digital is not that weak&#8230; most of the problem here is that &#8216;color science&#8217; and callibration is still an art where very few of us can claim a mastering of&#8212;and that&#8217;s typically the shift in color where people notice.&#160;

&lt;/p&gt;
&lt;p&gt;
Side Notation: a great feature for InDesign is it&#8217;s integration of XML&#8212;case example for one of our sites academystudios.com, their data is all XML (articles and the like) which they can dynamically link to their brochure/catalog in indesign, and it will update in real time. Another blessing of the print/web mix:)
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>There are a lot of excellent, high end Digital Print methods that you can easily use for large runs and layouts.
</p>
<p>
Now, anything that&#8217;s an Oce Lightjet, although not optimally suited for large runs, will have a serious impressive output compared to much of the print technology with none of the issues you&#8217;ve listed&#8212;that is a printer similar to a photography development device.</p>
<p>
Hi-Fi printers, which run of Cyan Magenta Yellow Black Light Cyan Light Magenta Orange Green, can produce a significant amount of color improvements over the standard issue digital machine.
</p>
<p>
It should also be pointed out that Pigment and Dye printers typically lack the banding you describe (although to achieve outdoor quality you need to use certified outdoor material, and typically they have a short life span). Solvent printers are usually the banding disaster, but I only find those in machines similar to Scitex large formats&#8212;Roland&#8217;s Eco Solvet machines output beautifully.
</p>
<p>
Now, for large runs using something like an Inca flatbed can be significantly cheaper than offset, considering the setup is so minimal and output is comparable to much of digital&#8212;but the color quality can and typically is just as high as much of the offset or large format screen print options out there.
</p>
<p>
I&#8217;ve ran alot of printers before I became an creative director&#8212;I know this is a gray area for most print designers, but digital is not that weak&#8230; most of the problem here is that &#8216;color science&#8217; and callibration is still an art where very few of us can claim a mastering of&#8212;and that&#8217;s typically the shift in color where people notice.&nbsp;</p>
<p>
Side Notation: a great feature for InDesign is it&#8217;s integration of XML&#8212;case example for one of our sites academystudios.com, their data is all XML (articles and the like) which they can dynamically link to their brochure/catalog in indesign, and it will update in real time. Another blessing of the print/web mix:)</p>
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	</item>
	<item>
		<title>By: Espen</title>
		<link>http://www.markboulton.co.uk/journal/comments/web-designers-guide-to-print-design#comment-1749</link>
		<dc:creator>Espen</dc:creator>
		<pubDate>Sat, 10 Jun 2006 03:01:07 +0000</pubDate>
		<guid isPermaLink="false">http://wordpress.markboultondesignhosting.com/2006/06/web-designers-guide-to-print-design/#comment-1749</guid>
		<description>&lt;p&gt;That was a nice article even though I knew most of it. Not because I have an education in this field but because I have been lucky to rent office space in a print house. I have worked mainly with screen media for most of my career so far and autodidact at that too. In that sense I have learnt some very valuable lessons by working side by side the prepress guys and the offset press operators.
&lt;/p&gt;
&lt;p&gt;
My advice for the entrepreneur web developer is to contact a local print house (the bigger the better) and ask if they have any office space for rent or if they can make room for you. You will have the benefit of learning a great deal of things and they get &#8220;in house&#8221; web expertise as well as rent money of course. I also get a lot of work through these guys and they get some through me so that&#8217;s an added bonus.
&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>That was a nice article even though I knew most of it. Not because I have an education in this field but because I have been lucky to rent office space in a print house. I have worked mainly with screen media for most of my career so far and autodidact at that too. In that sense I have learnt some very valuable lessons by working side by side the prepress guys and the offset press operators.
</p>
<p>
My advice for the entrepreneur web developer is to contact a local print house (the bigger the better) and ask if they have any office space for rent or if they can make room for you. You will have the benefit of learning a great deal of things and they get &#8220;in house&#8221; web expertise as well as rent money of course. I also get a lot of work through these guys and they get some through me so that&#8217;s an added bonus.</p>
]]></content:encoded>
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